Chapter 291: The French Navy, Part XVII: "Look, a submarine!"
“The utter inadequacy of our battleships is sufficient to illustrate that the hundreds of millions of francs wasted during the Empire, in spite of the precious directions furnished by the Committee of Inquiry of 1849-1851, had resulted in nothing but a magnificent organisation of impotency.”
- Georges Clemenceau, 1897
The fin de siècle-era idea of associating big warships with political conservatism had very little to do with naval strategy, and everything to do with politics. The premise was that big battleships akin of Napoleon III’s days were just another part of the useless imperial façade.
What caught the public imagination about this topic most vividly was the ideological debate itself rather than any dialogue about abstruse details of naval strategy. Politically France in 1900 had two navies: that of the liberal parliamentary philosophers, who supported the torpedo boats, and the reactionary conservatives who supported the battleships.
This culture war had been fought out in public between, respectively, the Journal des débats, Nouvelle revue, Revue des deux mondes and La Marine française on the one hand, and Le Temps and Le Yacht on the other.
The whole situation shared many features with the Dreyfus affair that polarised politics in the 1890s, but before the Pelletan scandal there had not been a cause célèbre to set it off.
The two camps had little desire for any kind of compromise. For the French critics of the Mahanian battlefleet, the battleship was the embodiment of the aristocratic structures of the admiralty, a sort of waterborne Versailles.
And for the radical proponents of Jeune École, it was self-evident that torpedo boats would break the iron grip of the battleship clique and bring forward a revitalising revolution of naval affairs.
Moving away from the battleships would undermine the culture of nepotism and favouritism in the Admiralty, and the communal life on smaller vessels would break down distinctions of social caste and technical specialty to the overall benefit of the navy’s efficiency.
Selling the torpedo boat as a naval “triumph of equality” appealed to the basics of democratic thought - but it also made it very difficult to admit that new naval technology was rapidly turning them obsolete.
The desire to break away from this deadlock explains a lot about the French naval politics of the era. Armored cruisers were acceptable for both camps, and hence the French had built a lot of them. In this political climate the compromise reached to implement de Lanessan Plan was viewed as an achievement by the moderates of both camps, and the reaction to attempts to discard it had been so fierce when Pelletan was briefly in office.
The search for a way out of this internal conflict had made the French willing to attempt unorthodox new solutions.
For Georges Leuguyes and other reformers, the submarines were therefore political warships: they represented first and foremost a political solution, a chance to redirect the energies of Jeune École towards a new goal that wouldn't be in such an obvious conflict with the idea of a battlefleet.
- Georges Clemenceau, 1897
The fin de siècle-era idea of associating big warships with political conservatism had very little to do with naval strategy, and everything to do with politics. The premise was that big battleships akin of Napoleon III’s days were just another part of the useless imperial façade.
What caught the public imagination about this topic most vividly was the ideological debate itself rather than any dialogue about abstruse details of naval strategy. Politically France in 1900 had two navies: that of the liberal parliamentary philosophers, who supported the torpedo boats, and the reactionary conservatives who supported the battleships.
This culture war had been fought out in public between, respectively, the Journal des débats, Nouvelle revue, Revue des deux mondes and La Marine française on the one hand, and Le Temps and Le Yacht on the other.
The whole situation shared many features with the Dreyfus affair that polarised politics in the 1890s, but before the Pelletan scandal there had not been a cause célèbre to set it off.
The two camps had little desire for any kind of compromise. For the French critics of the Mahanian battlefleet, the battleship was the embodiment of the aristocratic structures of the admiralty, a sort of waterborne Versailles.
And for the radical proponents of Jeune École, it was self-evident that torpedo boats would break the iron grip of the battleship clique and bring forward a revitalising revolution of naval affairs.
Moving away from the battleships would undermine the culture of nepotism and favouritism in the Admiralty, and the communal life on smaller vessels would break down distinctions of social caste and technical specialty to the overall benefit of the navy’s efficiency.
Selling the torpedo boat as a naval “triumph of equality” appealed to the basics of democratic thought - but it also made it very difficult to admit that new naval technology was rapidly turning them obsolete.
The desire to break away from this deadlock explains a lot about the French naval politics of the era. Armored cruisers were acceptable for both camps, and hence the French had built a lot of them. In this political climate the compromise reached to implement de Lanessan Plan was viewed as an achievement by the moderates of both camps, and the reaction to attempts to discard it had been so fierce when Pelletan was briefly in office.
The search for a way out of this internal conflict had made the French willing to attempt unorthodox new solutions.
For Georges Leuguyes and other reformers, the submarines were therefore political warships: they represented first and foremost a political solution, a chance to redirect the energies of Jeune École towards a new goal that wouldn't be in such an obvious conflict with the idea of a battlefleet.
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