top tv shows NEVER MADE...

Timeline 96 world building
title The adventures of the galaxy rangers
Creator Richard Hunt
cast Justin Cook John Burgmeier Jeremy Inman Chris Ayers and Chris Cason to name a few
composer Howard Shore
executive producer Richard Hunt
medium CGI
production company Cosgrove hall films
newtork jetix
air period 28 November 2002 to 15 January 2006
 

Marvel Mania (1999-2002)​

A sort of mini-block on Fox Kids, made to help promote Marvel Super Hero Island at Islands of Adventure. (This promotion also led to The Woody Woodpecker Show staying on for the fall season to promote Woody Woodpecker’s Kidzone at Universal Studios Florida.) Similar to the USA Action Extreme Team, these shows were made by different producers, but set in the same universe, with crossovers happening… semi-regularly, actually (as opposed to just once for the Action Extreme Team), thanks to the regular crossovers in Marvel as a whole and the fact that all these characters where sharing a theme park land. In addition, Universal (who made Islands of Adventure) helped fund each of these shows, though they were still owned, copyrighted, and distributed by their producers.

The Amazing Spider-Man​

Producers: Columbia Tristar Television, Adelaide Productions
Ride Tie-In: The Amazing Adventures of Spider-Man


Initially planned at Saban, this series was set to be a low-budget but faithful retelling of the early Spider-Man issues. When Sony got the rights to Spider-Man in 1999, rather than decide to scrounge for what was left over (which IOTL resulted in Spider-Man Unlimited), Fox Kids decided to bite the bullet and go to Sony and pitch the idea, which they accepted, on the condition that they up the budget some. It was also around this time that Universal got involved, deciding to tie it into The Amazing Adventures of Spider-Man, the Islands of Adventure ride.

The show itself was a retro-style return to form for Spidey, keeping the idea of faithful adaptations of the original comics. The retro nature even expanded to the theme song, a jazzy remix of the 1967 theme! The show mainly adapts the early The Amazing Spider-Man comics, hence the title, as well as the character’s debut in Amazing Fantasy. Originally, it went in order, issue by issue, story by story, with some exceptions made for flow- “The Return of the Vulture”, the 7th issue and 10th story, is the 13th episode, rather than the actual 13th story and 10th issue, “The Enforcers”. After the successful first season, however, the show started skipping a bit- still keeping things in order, but focusing on more famous arcs and characters (specifically the ones that were at Islands of Adventure, such as Green Goblin and Venom). It also started taking a bit more liberties with the source material- the Green Goblin, for instance, is revealed as Norman Osborn in his first appearance, rather than keeping it a mystery (because at that point, EVERYONE in the audience knew who he was). Nevertheless, the stories generally remained faithful to the comics, and the changes were understandable, so not too many jimmies were rustled. Overall, a ratings success and a critical one at that.

The Hulk​

Producer: Universal Cartoon Studios
Ride Tie-In: The Incredible Hulk Coaster


While Universal funded all of the shows and made the theme park they were meant to promote, this was the only show of the original four-series lineup they actually produced. It was also the only one not to directly adapt the comics, instead opting for original stories. (It also means that the ride queue footage I’m showing you is actually accurate to the show!)

It was, in essence, an animated remake of the 1978 live-action show, with Banner wandering from place to place while working a cure for the Hulk after he is driven from his lab in the first episode. (The 1996 animated show also used a similar set-up.) More comic elements made their way in, such as the gamma bomb origin and supporting characters Rick Jones and Betty Ross, alongside Universal-owned elements from the live-action series, such as the Lonely Man theme (now used as Banner’s leitmotif).

The series was extremely dark, with elements of tragedy and horror, making it clear how the Hulk has become an unstoppable menace and to what lengths Bruce is willing to take to destroy the beast once and for all. However, there are moments of levity- the Hulk has his heroic moments and his heartwarming ones, and there’s plenty of comic relief in the forms of the endlessly hammy General Thunderbolt Ross, the now-bumbling reporter Jack McGee, and an original character, a female psychologist who doesn’t believe the Hulk even exists despite literally everything. (She’s out of the picture by the season one finale, where she briefly comes face to face with the Hulk and is understandably shaken by it. However, a later episode brings her back, turning her into a deranged conspiracy theorist as her Hulk encounter completely shattered her worldview.) More importantly, Fox Kids censorship meant the show was still safer in content than the actual theme park ride it was meant to promote, whose queue video includes General Ross with a constant cigar and a scene of Banner BLEEDING!

The series, while the black sheep of Marvel Mania due to its dark tone and not adapting the comics directly, was also successful in part due to that. It was the most critically acclaimed for its maturity, to the point where it was one of two Fox Kids shows to later go into reruns… on Adult Swim. (The other being John Kricfalusi’s The Ripping Friends.)

Fantastic Four: World’s Greatest Heroes​

Producer: Saban Entertainment
Ride Tie-In: Doctor Doom’s Fearfall


Saban’s series for the block, a Fantastic Four tie-in, stuck to the “low budget but faithful” approach of the unmade show that became The Amazing Spider-Man. Thanks to the Four being more consistent in lineup and their smaller rogues gallery, this show was the most faithful to the original comics, with the IoA mandated foes being limited to mainstays Doctor Doom and Galactus, as well as ally Silver Surfer, and even special guests Black Panther and Prince Namor the Sub-Mariner! This left plenty of room for characters NOT at Islands of Adventure, such as the Skrulls and Mole Man. Nevertheless, there were a small handful of changes, such as getting the Four into their costumes right out of the gate instead of waiting a few issues/episodes. All in all, it’s a solid show, and much better than the 1994 cartoon… not like that was a high bar, to be fair.

The Uncanny X-Men​

Producers: 20th Century Fox Television, Saban Entertainment
Ride Tie-In: Storm Force Acceleratron


Marvel Mania’s first season was on Saturdays, from 10:30 AM to 12 noon. Following the success of Marvel Mania’s first season and Fox Kids wanting the one and a half hours of Saturday back, the decision was made to make Marvel Mania a half-hour block on weekdays at 4:30 PM, with a different show each day. For this, a fourth and fifth show was required- and 2000 was when Storm Force Acceleratron was added to Marvel Superhero Island. In addition to tying into Islands of Adventure, this series came shortly after the X-Men movie, allowing the show to serve as a tie-in to the movie as well. This also meant that while Saban was a producer on the show, the copyright ultimately fell to Fox themselves and not Fox Family Worldwide, and thus was not included in the sale to Disney in 2001.

This show essentially serves as a reboot of the X-Men 1992 cartoon and an adaptation of the comics. It attempted to start the whole “low budget, true to the text adaptation” thing again, after their success of the Fantastic Four. However, since this was a tie in to Islands of Adventure, the roster had to reflect the X-Men represented AT the park, so the line-up of heroes is quite different. It consists of existing launch members Professor X, Cyclops, The Beast (blue from the start), Iceman, and Jean Grey (not Marvel Girl), as well as Wolverine (but of course), Storm (whose ride is what the show was meant to tie into), Rogue, Nightcrawler, and Colossus. As such, the series goes out of order in adaptation, though it is primarily meant to showcase the early days of the students like the early comics- making them all teenagers in the process, like those early issues. However, the stories themselves are still told as faithfully as possible (through the changes and under Fox Kids’ infamously strict network censorship, of course). All in all, it’s seen as a fairly worthy, if slightly redundant, successor to the original series.

The Avengers: United They Stand​

Producer: Universal Cartoon Studios
Ride Tie-In: None, but the characters could be found throughout the park.


While there wasn’t a fifth ride at Marvel Super Hero Island, the Avengers characters were just as big a mainstay as Spidey and the X-Men, so obviously they would be the new stars. It came down to Universal to produce, as the Hulk was a part of the Avengers “family” of licensing (IoA had picked up four Marvel “families”, or character groups of heroes, villains, and supporting cast, to license- The Avengers, the Fantastic Four, the X-Men, and Spider-Man), and Universal had produced The Hulk.

While much lighter than The Hulk, the series had a similar art style and crew, thanks to being produced by the same studio. It also chose to focus on original stories, though it adapted the comics a bit more often. The Avengers’ lineup here consisted of the same as at Islands of Adventure- Captain America, Iron Man, Thor, Ant-Man, the Falcon, Scarlet Witch, Hawkeye, and Black Widow, alongside non-IoA character The Wasp, Ant-Man’s life partner. While not as well received as The Hulk or even The Amazing Spider-Man, it was still better received than The Uncanny X-Men or Fantastic Four: World’s Greatest Heroes- and even then, those were modestly well-liked. It was “middle of the road” on a road where both sides are paved with goodness.

~~~

After Fox Kids was sold to Disney, the shows reran semi-often up until the 2010s. All of them were briefly on ABC Family’s Supercharged block (the unofficial name for their action block), alongside shows like Medabots and Galidor. After the contracts expired, Fantastic Four: World’s Greatest Heroes remained, being the one series Disney had the rights to, and was treated as well as they treated the other big Saban Marvel shows like the 1994 Spider-Man and the 1992 X-Men. Fox, still having the rights to The Uncanny X-Men, briefly gave it to 4Kids Entertainment to show on the FoxBox to promote the X-Men sequel, X2.

Similarly, Cartoon Network picked up The Hulk to air on Adult Swim (and occasionally Toonami) to promote the film, and picked up The Avengers: United They Stand to air on Toonami in the process. (They also picked up Sitting Ducks, The Woody Woodpecker Show, The Mummy: The Animated Series, and classic Woody Woodpecker shorts as well, the first being the same as IOTL, and the last to air on Boomerang.) CN also picked up The Uncanny X-Men after the FoxBox, around the same time they picked up Futurama and Family Guy for Adult Swim.

Nickelodeon, meanwhile, picked up The Amazing Spider-Man to cash in on the 2002 Spider-Man movie, build up hype for the upcoming and ill-fated Spider-Man: The New Animated Series for MTV, and to help boost its own similarly ill-fated SLAM! block (taking the place of Men in Black: The Series from IOTL), and then aired on the regular schedule for a while, especially when Spider-Man 2 came out.

Jetix continued airing Fantastic Four: World’s Greatest Heroes, and in 2006 picked up the other Marvel Mania shows. The Amazing Spider-Man owner Sony Pictures also gave Jetix Jackie Chan Adventures, The Hulk and The Avengers: United They Stand owner Universal gave Jetix The Mummy: The Animated Series, and 20th Century Fox only had The Uncanny X-Men to offer anyway. The Marvel Mania shows broadcast on Jetix through its end in 2009, and then on its successor Disney X-D until 2012. Now, all of the Marvel Mania shows have torn through the barriers of ownership and are on Disney+, though through a bit of fenangling (that IOTL also resulted in the 2008 The Incredible Hulk film and all of Sony’s Spider-Man stuff also being on D+) and a corporate merger that brought The Uncanny X-Men under Disney’s purview.​
 
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On the one hand, I love all of these shows equally. On the other hand, I have some questions to the block:
  1. Does Marvel Mania launch in February 1999, and move to weekdays in September? If not in February, what month does it launch?
  2. When the block launches on Fox Kids, where do the 10 AM-Noon shows go? Do Spy Dogs and Woody Woodpecker move to 8 and 8:30, while The Magician is a Fox Family exclusive?
  3. What must be sacrificed for Pokemon to move to 9:30 AM? Does The New Batman/Superman Adventures regress to a half-hour on Saturdays?
  4. Since Marvel Mania takes the 4:30 slot, does Digimon now air at 4 PM? If so, would that necessitate Fox Kids retaining their 7:30 AM weekday strip for that E/I requirement? May I recommend having Dragon Tales on Fox Kids for that slot?
  5. Does Pokemon move back to 10 AM in the Fall? And is the tandem of Digimon and Marvel on weekdays enough to result in a Fox Box weekday companion block?
  6. Does Universal decide to apply this kind of promotional partnership to an overhauling of the NBC SatAM block? I, for one, can easily see Dr. Seuss filling in the educational quota there.
 
On the one hand, I love all of these shows equally. On the other hand, I have some questions to the block:
  1. Does Marvel Mania launch in February 1999, and move to weekdays in September? If not in February, what month does it launch?
It launches in fall 1999, and moves to weekdays in fall 2000.
  1. When the block launches on Fox Kids, where do the 10 AM-Noon shows go? Do Spy Dogs and Woody Woodpecker move to 8 and 8:30, while The Magician is a Fox Family exclusive?
Well, given how it’s still fall 1999, some shows remain while others are moved to Fridays or butterflied entirely.
  1. What must be sacrificed for Pokemon to move to 9:30 AM? Does The New Batman/Superman Adventures regress to a half-hour on Saturdays?
Actually, I just removed that bit. I realized Storm Force Acceleratron didn’t debut in 1999, and updated things accordingly.
  1. Since Marvel Mania takes the 4:30 slot, does Digimon now air at 4 PM? If so, would that necessitate Fox Kids retaining their 7:30 AM weekday strip for that E/I requirement? May I recommend having Dragon Tales on Fox Kids for that slot?
It does air at 4 PM. And yes, Fox Kids does keep the seperate E/I strip, though it’s not TECHNICALLY a part of the regular schedule, and affiliates can schedule it whenever
  1. And is the tandem of Digimon and Marvel on weekdays enough to result in a Fox Box weekday companion block?
No. Affiliates fucking HATED the weekday block.
  1. Does Universal decide to apply this kind of promotional partnership to an overhauling of the NBC SatAM block?
No, Qubo still exists as is.
 
It launches in fall 1999, and moves to weekdays in fall 2000.
Oh, I see.
Well, given how it’s still fall 1999, some shows remain while others are moved to Fridays or butterflied entirely.
Fair enough.
Actually, I just removed that bit. I realized Storm Force Acceleratron didn’t debut in 1999, and updated things accordingly.
Just read that update. I guess Pokemon can remain at 10 AM.
It does air at 4 PM. And yes, Fox Kids does keep the seperate E/I strip, though it’s not TECHNICALLY a part of the regular schedule, and affiliates can schedule it whenever
True.
No. Affiliates fucking HATED the weekday block.
Ouch. I wonder why that is.
No, Qubo still exists as is.
Okay, that's good.
 

Marvel Mania (1999-2002)​

A sort of mini-block on Fox Kids, made to help promote Marvel Super Hero Island at Islands of Adventure. (This promotion also led to The Woody Woodpecker Show staying on for the fall season to promote Woody Woodpecker’s Kidzone at Universal Studios Florida.) Similar to the USA Action Extreme Team, these shows were made by different producers, but set in the same universe, with crossovers happening… semi-regularly, actually (as opposed to just once for the Action Extreme Team), thanks to the regular crossovers in Marvel as a whole and the fact that all these characters where sharing a theme park land. In addition, Universal (who made Islands of Adventure) helped fund each of these shows, though they were still owned, copyrighted, and distributed by their producers.

The Amazing Spider-Man​

Producers: Columbia Tristar Television, Adelaide Productions
Ride Tie-In: The Amazing Adventures of Spider-Man


Initially planned at Saban, this series was set to be a low-budget but faithful retelling of the early Spider-Man issues. When Sony got the rights to Spider-Man in 1999, rather than decide to scrounge for what was left over (which IOTL resulted in Spider-Man Unlimited), Fox Kids decided to bite the bullet and go to Sony and pitch the idea, which they accepted, on the condition that they up the budget some. It was also around this time that Universal got involved, deciding to tie it into The Amazing Adventures of Spider-Man, the Islands of Adventure ride.

The show itself was a retro-style return to form for Spidey, keeping the idea of faithful adaptations of the original comics. The retro nature even expanded to the theme song, a jazzy remix of the 1967 theme! The show mainly adapts the early The Amazing Spider-Man comics, hence the title, as well as the character’s debut in Amazing Fantasy. Originally, it went in order, issue by issue, story by story, with some exceptions made for flow- “The Return of the Vulture”, the 7th issue and 10th story, is the 13th episode, rather than the actual 13th story and 10th issue, “The Enforcers”. After the successful first season, however, the show started skipping a bit- still keeping things in order, but focusing on more famous arcs and characters (specifically the ones that were at Islands of Adventure, such as Green Goblin and Venom). It also started taking a bit more liberties with the source material- the Green Goblin, for instance, is revealed as Norman Osborn in his first appearance, rather than keeping it a mystery (because at that point, EVERYONE in the audience knew who he was). Nevertheless, the stories generally remained faithful to the comics, and the changes were understandable, so not too many jimmies were rustled. Overall, a ratings success and a critical one at that.

The Hulk​

Producer: Universal Cartoon Studios
Ride Tie-In: The Incredible Hulk Coaster


While Universal funded all of the shows and made the theme park they were meant to promote, this was the only show of the original four-series lineup they actually produced. It was also the only one not to directly adapt the comics, instead opting for original stories. (It also means that the ride queue footage I’m showing you is actually accurate to the show!)

It was, in essence, an animated remake of the 1978 live-action show, with Banner wandering from place to place while working a cure for the Hulk after he is driven from his lab in the first episode. (The 1996 animated show also used a similar set-up.) More comic elements made their way in, such as the gamma bomb origin and supporting characters Rick Jones and Betty Ross, alongside Universal-owned elements from the live-action series, such as the Lonely Man theme (now used as Banner’s leitmotif).

The series was extremely dark, with elements of tragedy and horror, making it clear how the Hulk has become an unstoppable menace and to what lengths Bruce is willing to take to destroy the beast once and for all. However, there are moments of levity- the Hulk has his heroic moments and his heartwarming ones, and there’s plenty of comic relief in the forms of the endlessly hammy General Thunderbolt Ross, the now-bumbling reporter Jack McGee, and an original character, a female psychologist who doesn’t believe the Hulk even exists despite literally everything. (She’s out of the picture by the season one finale, where she briefly comes face to face with the Hulk and is understandably shaken by it. However, a later episode brings her back, turning her into a deranged conspiracy theorist as her Hulk encounter completely shattered her worldview.) More importantly, Fox Kids censorship meant the show was still safer in content than the actual theme park ride it was meant to promote, whose queue video includes General Ross with a constant cigar and a scene of Banner BLEEDING!

The series, while the black sheep of Marvel Mania due to its dark tone and not adapting the comics directly, was also successful in part due to that. It was the most critically acclaimed for its maturity, to the point where it was one of two Fox Kids shows to later go into reruns… on Adult Swim. (The other being John Kricfalusi’s The Ripping Friends.)

Fantastic Four: World’s Greatest Heroes​

Producer: Saban Entertainment
Ride Tie-In: Doctor Doom’s Fearfall


Saban’s series for the block, a Fantastic Four tie-in, stuck to the “low budget but faithful” approach of the unmade show that became The Amazing Spider-Man. Thanks to the Four being more consistent in lineup and their smaller rogues gallery, this show was the most faithful to the original comics, with the IoA mandated foes being limited to mainstays Doctor Doom and Galactus, as well as ally Silver Surfer, and even special guests Black Panther and Prince Namor the Sub-Mariner! This left plenty of room for characters NOT at Islands of Adventure, such as the Skrulls and Mole Man. Nevertheless, there were a small handful of changes, such as getting the Four into their costumes right out of the gate instead of waiting a few issues/episodes. All in all, it’s a solid show, and much better than the 1994 cartoon… not like that was a high bar, to be fair.

The Uncanny X-Men​

Producers: 20th Century Fox Television, Saban Entertainment
Ride Tie-In: Storm Force Acceleratron


Marvel Mania’s first season was on Saturdays, from 10:30 AM to 12 noon. Following the success of Marvel Mania’s first season and Fox Kids wanting the one and a half hours of Saturday back, the decision was made to make Marvel Mania a half-hour block on weekdays at 4:30 PM, with a different show each day. For this, a fourth and fifth show was required- and 2000 was when Storm Force Acceleratron was added to Marvel Superhero Island. In addition to tying into Islands of Adventure, this series came shortly after the X-Men movie, allowing the show to serve as a tie-in to the movie as well. This also meant that while Saban was a producer on the show, the copyright ultimately fell to Fox themselves and not Fox Family Worldwide, and thus was not included in the sale to Disney in 2001.

This show essentially serves as a reboot of the X-Men 1992 cartoon and an adaptation of the comics. It attempted to start the whole “low budget, true to the text adaptation” thing again, after their success of the Fantastic Four. However, since this was a tie in to Islands of Adventure, the roster had to reflect the X-Men represented AT the park, so the line-up of heroes is quite different. It consists of existing launch members Professor X, Cyclops, The Beast (blue from the start), Iceman, and Jean Grey (not Marvel Girl), as well as Wolverine (but of course), Storm (whose ride is what the show was meant to tie into), Rogue, Nightcrawler, and Colossus. As such, the series goes out of order in adaptation, though it is primarily meant to showcase the early days of the students like the early comics- making them all teenagers in the process, like those early issues. However, the stories themselves are still told as faithfully as possible (through the changes and under Fox Kids’ infamously strict network censorship, of course). All in all, it’s seen as a fairly worthy, if slightly redundant, successor to the original series.

The Avengers: United They Stand​

Producer: Universal Cartoon Studios
Ride Tie-In: None, but the characters could be found throughout the park.


While there wasn’t a fifth ride at Marvel Super Hero Island, the Avengers characters were just as big a mainstay as Spidey and the X-Men, so obviously they would be the new stars. It came down to Universal to produce, as the Hulk was a part of the Avengers “family” of licensing (IoA had picked up four Marvel “families”, or character groups of heroes, villains, and supporting cast, to license- The Avengers, the Fantastic Four, the X-Men, and Spider-Man), and Universal had produced The Hulk.

While much lighter than The Hulk, the series had a similar art style and crew, thanks to being produced by the same studio. It also chose to focus on original stories, though it adapted the comics a bit more often. The Avengers’ lineup here consisted of the same as at Islands of Adventure- Captain America, Iron Man, Thor, Ant-Man, the Falcon, Scarlet Witch, Hawkeye, and Black Widow, alongside non-IoA character The Wasp, Ant-Man’s life partner. While not as well received as The Hulk or even The Amazing Spider-Man, it was still better received than The Uncanny X-Men or Fantastic Four: World’s Greatest Heroes- and even then, those were modestly well-liked. It was “middle of the road” on a road where both sides are paved with goodness.

~~~

After Fox Kids was sold to Disney, the shows reran semi-often up until the 2010s. All of them were briefly on ABC Family’s Supercharged block (the unofficial name for their action block), alongside shows like Medabots and Galidor. After the contracts expired, Fantastic Four: World’s Greatest Heroes remained, being the one series Disney had the rights to, and was treated as well as they treated the other big Saban Marvel shows like the 1994 Spider-Man and the 1992 X-Men. Fox, still having the rights to The Uncanny X-Men, briefly gave it to 4Kids Entertainment to show on the FoxBox to promote the X-Men sequel, X2.

Similarly, Cartoon Network picked up The Hulk to air on Adult Swim (and occasionally Toonami) to promote the film, and picked up The Avengers: United They Stand to air on Toonami in the process. (They also picked up Sitting Ducks, The Woody Woodpecker Show, The Mummy: The Animated Series, and classic Woody Woodpecker shorts as well, the first being the same as IOTL, and the last to air on Boomerang.) CN also picked up The Uncanny X-Men after the FoxBox, around the same time they picked up Futurama and Family Guy for Adult Swim.

Nickelodeon, meanwhile, picked up The Amazing Spider-Man to cash in on the 2002 Spider-Man movie, build up hype for the upcoming and ill-fated Spider-Man: The New Animated Series for MTV, and to help boost its own similarly ill-fated SLAM! block (taking the place of Men in Black: The Series from IOTL), and then aired on the regular schedule for a while, especially when Spider-Man 2 came out.

Jetix continued airing Fantastic Four: World’s Greatest Heroes, and in 2006 picked up the other Marvel Mania shows. The Amazing Spider-Man owner Sony Pictures also gave Jetix Jackie Chan Adventures, The Hulk and The Avengers: United They Stand owner Universal gave Jetix The Mummy: The Animated Series, and 20th Century Fox only had The Uncanny X-Men to offer anyway. The Marvel Mania shows broadcast on Jetix through its end in 2009, and then on its successor Disney X-D until 2012. Now, all of the Marvel Mania shows have torn through the barriers of ownership and are on Disney+, though through a bit of fenangling (that IOTL also resulted in the 2008 The Incredible Hulk film and all of Sony’s Spider-Man stuff also being on D+) and a corporate merger that brought The Uncanny X-Men under Disney’s purview.​
Awesome! May or may not do something like this for DC.
 
I actually did some more thinking on the idea and it has evolved and changed from this, but I don't feel like editing it even more than I have to. For example:
  • All the shows are produced by Universal, and they gain exclusive character rights, even purchasing Marvel after its bankruptcy. (Now it DEFINITELY wouldn't happen in our timeline!)
  • The Spider-Man show might be in CGI, to tie into the Islands of Adventure ride (in-ride, of course; the animated queue show is 2D)
 
I actually did some more thinking on the idea and it has evolved and changed from this, but I don't feel like editing it even more than I have to. For example:
  • All the shows are produced by Universal, and they gain exclusive character rights, even purchasing Marvel after its bankruptcy. (Now it DEFINITELY wouldn't happen in our timeline!)
  • The Spider-Man show might be in CGI, to tie into the Islands of Adventure ride (in-ride, of course; the animated queue show is 2D)
AWESOME! Matter of fact, could Universal buy out Fox Family Worldwide instead of Disney? Or start their own kids/animation channel?
 
Final Fantasy VI: The Mini-Series
Network: Blockbuster (who bought Netflix in 2000)
Aired: 2011-2014
TL: World where the N64 used CDs

The show that broke the barrier on video game adaptations was a three season miniseries based on the popular SNES RPG by Square known as Final Fantasy VI. Blockbuster was willing to fund this adaptation, giving it an all star cast and new arrangements of Nobuo Uematsu's epic score. Each season has a total of 8 episodes. The show's script keeps a lot of the memorable lines from the Woolsey version of the game. The setting much like the game is in a world that has recently rediscovered magic, with several different nations such as the Kingdom of Figaro, the snobby city of Jidoor and the mage village of Thamasa. For the first season, the main antagonist is the Gestahlian Empire, a nation bent on conquering the world. The first season ends with an episode that reveals Locke's backstory, and ends as Locke, Celes, Sabin and Shadow set out to Zozo to find Terra. The second season covers the rest of the World of Balance events. During the shocking second season finale Kefka betrays his Emperor and destroys the World of Balance, killing Shadow in the process. The second season finale ends with Cid dying of an illness, Celes surviving a suicide attempt and setting out in search of her friends.

Fans had to wait a whole year before the third season started filming, mirroring the game's timeskip. The third season opens with Celes's raft landing near Albrook, as she sets to find her friends and defeat Kefka. After Relm is found painting the landscapes of the now-ruined world, she learns that her father is Shadow, and that he died on the day the world fell into ruin. One episode gives Strago a day in the limelight, where we learn that in his youth he tried to hunt a monster named Hidon, and now that Hidon has reappared, Strago; Relm; Locke and Celes take down Hidon before the party ventures into Kefka's Tower. The show's rendition of Dancing Mad features a full chorus, organ and orchestra, which plays during the final battle. Terra, Cyan, Sabin and Celes take on Kefka and defeat the god of Magic (with Sabin suplexing the God of Magic just like he did to the train back in Season 1).

When this show began airing, it was praised as the Citizen Kane of video game adapatations, and increased sales of the Virtual Console version of the SNES original as well as downloads of the ROMs of the source game.
 
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The Loud House (1999-2004)
Original release: June 11, 1999-May 28, 2004
Channel: Cartoon Network
Seasons: 5
Episodes: 65
Poster:
Fandom Image

(I tried to make the color of Lori, Lana and Lola's hair match the original SpongeBob design from 1999)
 
Disney's Small Movie Show
Network: Disney Channel/Toon Disney
Premiere Date: September 9th, 2005
Finale Date: November 18th, 2009
Seasons: 5
Episodes: 65

After greenlighting The Emperor's New School, they had an influx of cancelled pitches from the Disney Heritage franchise. Meanwhile, they had an original shorts incubator ready for 2006, and their all-animation channel was giving their movies a new look. So, the brass at DTVA decided to capitalize on this confluence with, essentially speaking, a reboot of Raw Toonage in all but name.

Partial List of Hosts:
-Ludwig Von Drake
-Jiminy Cricket
-Timon and Pumbaa
-Captain Hook
-Tigger
-Rutt and Tuke
-Cinderella
-Lumiere and Cogsworth (sporting their human designs for this show)
-Genie
-Thomas O'Malley

Notable Segments:
-Mowgli and Baloo's Jungle Jams: Created by John F. Fountain in his own unique artstyle, this segment deals with Mowgli's rebellious teenage years alongside his old buddies Baloo and Bagheera, and his new pals Shanti and Ranjan. And you thought your acts of rebellion were wild!
-The Aristokittens: A series of shorts focused on Marie, Toulouse, and Berlioz from The Aristocats, getting into and out of trouble in seven minutes tops.
-Timothy Mouse's Flying Circus: When this name catches your eye, be prepared for pop culture parodies starring your favorite Disney animal characters. Maid Marian as Dorothy Gale? Check. Lady and the Tramp performing Shakespeare? Check. Tod and Copper present 300? Check, and so on and so forth.

Notable One-shots:
-Chicken Little in: "Don't Egg Me On": Runt and Fish convince Chicken Little and Abby "Ugly Duckling" Mallard to go on a date. Despite it going horribly awry, they still had a great night.
-Oswald and Ortensia in: "Easter Burnout": Oswald and Ortensia try to give their kids a nice Easter egg hunt. Unfortunately, they have 420 kids to begin with.

The show was a success, especially among Disney fans. Its first season was released on DVD, as was a few volumes of the other seasons, and you can find the whole show on Disney+. And yes, with all the movies that have come out since 2009, people are begging for a revival.
 
Final Fantasy VI: The Mini-Series
Network: Blockbuster (who bought Netflix in 2000)
Aired: 2011-2014
TL: World where the N64 used CDs

The show that broke the barrier on video game adaptations was a three season miniseries based on the popular SNES RPG by Square known as Final Fantasy VI. Blockbuster was willing to fund this adaptation, giving it an all star cast and new arrangements of Nobuo Uematsu's epic score. Each season has a total of 8 episodes. The show's script keeps a lot of the memorable lines from the Woolsey version of the game. The setting much like the game is in a world that has recently rediscovered magic, with several different nations such as the Kingdom of Figaro, the snobby city of Jidoor and the mage village of Thamasa. For the first season, the main antagonist is the Gestahlian Empire, a nation bent on conquering the world. The first season ends with an episode that reveals Locke's backstory, and ends as Locke, Celes, Sabin and Shadow set out to Zozo to find Terra. The second season covers the rest of the World of Balance events. During the shocking second season finale Kefka betrays his Emperor and destroys the World of Balance, killing Shadow in the process. The second season finale ends with Cid dying of an illness, Celes surviving a suicide attempt and setting out in search of her friends.

Fans had to wait a whole year before the third season started filming, mirroring the game's timeskip. The third season opens with Celes's raft landing near Albrook, as she sets to find her friends and defeat Kefka. After Relm is found painting the landscapes of the now-ruined world, she learns that her father is Shadow, and that he died on the day the world fell into ruin. One episode gives Strago a day in the limelight, where we learn that in his youth he tried to hunt a monster named Hidon, and now that Hidon has reappared, Strago; Relm; Locke and Celes take down Hidon before the party ventures into Kefka's Tower. The show's rendition of Dancing Mad features a full chorus, organ and orchestra, which plays during the final battle. Terra, Cyan, Sabin and Celes take on Kefka and defeat the god of Magic (with Sabin suplexing the God of Magic just like he did to the train back in Season 1).

When this show began airing, it was praised as the Citizen Kane of video game adapatations, and increased sales of the Virtual Console version of the SNES original as well as downloads of the ROMs of the source game.

Disney's Small Movie Show
Network: Disney Channel/Toon Disney
Premiere Date: September 9th, 2005
Finale Date: November 18th, 2009
Seasons: 5
Episodes: 65

After greenlighting The Emperor's New School, they had an influx of cancelled pitches from the Disney Heritage franchise. Meanwhile, they had an original shorts incubator ready for 2006, and their all-animation channel was giving their movies a new look. So, the brass at DTVA decided to capitalize on this confluence with, essentially speaking, a reboot of Raw Toonage in all but name.

Partial List of Hosts:
-Ludwig Von Drake
-Jiminy Cricket
-Timon and Pumbaa
-Captain Hook
-Tigger
-Rutt and Tuke
-Cinderella
-Lumiere and Cogsworth (sporting their human designs for this show)
-Genie
-Thomas O'Malley

Notable Segments:
-Mowgli and Baloo's Jungle Jams: Created by John F. Fountain in his own unique artstyle, this segment deals with Mowgli's rebellious teenage years alongside his old buddies Baloo and Bagheera, and his new pals Shanti and Ranjan. And you thought your acts of rebellion were wild!
-The Aristokittens: A series of shorts focused on Marie, Toulouse, and Berlioz from The Aristocats, getting into and out of trouble in seven minutes tops.
-Timothy Mouse's Flying Circus: When this name catches your eye, be prepared for pop culture parodies starring your favorite Disney animal characters. Maid Marian as Dorothy Gale? Check. Lady and the Tramp performing Shakespeare? Check. Tod and Copper present 300? Check, and so on and so forth.

Notable One-shots:
-Chicken Little in: "Don't Egg Me On": Runt and Fish convince Chicken Little and Abby "Ugly Duckling" Mallard to go on a date. Despite it going horribly awry, they still had a great night.
-Oswald and Ortensia in: "Easter Burnout": Oswald and Ortensia try to give their kids a nice Easter egg hunt. Unfortunately, they have 420 kids to begin with.

The show was a success, especially among Disney fans. Its first season was released on DVD, as was a few volumes of the other seasons, and you can find the whole show on Disney+. And yes, with all the movies that have come out since 2009, people are begging for a revival.
Awesome.
 

The Marvel Super Heroes (1966) - and more!​

Pretty much the same as the IOTL series, but Grantray-Lawrence was given the rights to use ALL the Marvel characters immediately. As such, twice as many segments were made, and the “full show” became an hour long, with two half-hour slots for different heroes. The shorts were also still broken up and syndicated to local kids shows, and future syndication would split the show into a half-hour format. The new heroes included:

IMG_4124.jpeg

Spider-Man (with an early version of the classic theme song, no less), joining Captain America on Monday - much like the Thor segments, animation (heh) for this segment was outsourced to Paramount Cartoon Studios (like they were offered IOTL, but the board refused, causing Shamus Culhane to quit)

IMG_4132.png

The X-Men, joining the Incredible Hulk on Tuesday

IMG_4131.png

Giant-Man, joining Iron Man on Wednesday

IMG_4129.png

The Fantastic Four, joining The Mighty Thor on Thursday (the fourth day of the week!)

IMG_4130.png

Doctor Strange, joining the Sub-Mariner on Friday (and as he had no 1960s animated appearances, I had to use one from the 1980s. I apologize)

While the series still only lasted one (twice as long) season, it was successful enough to get Spider-Man and Fantastic Four into half-hour series on ABC the next year. Fantastic Four was produced by Grantray-Lawrence, rather than Hanna-Barbera, for its first season- yes, there’s more than one! Paramount continues outsourcing animation on Spider-Man, then took over production of it and Fantastic Four when Grantray-Lawrence went under. Both shows, now essentially companion shows to each other, lasted as long as Spider-Man alone lasted IOTL, through early 1970 over a total of three seasons. And with Paramount now having a relationship with Marvel, the way is paved for a potential acquisition in the future, like Warner Bros. and DC.​
 

The Marvel Super Heroes (1966) - and more!​

Pretty much the same as the IOTL series, but Grantray-Lawrence was given the rights to use ALL the Marvel characters immediately. As such, twice as many segments were made, and the “full show” became an hour long, with two half-hour slots for different heroes. The shorts were also still broken up and syndicated to local kids shows, and future syndication would split the show into a half-hour format. The new heroes included:

View attachment 898634
Spider-Man (with an early version of the classic theme song, no less), joining Captain America on Monday - much like the Thor segments, animation (heh) for this segment was outsourced to Paramount Cartoon Studios (like they were offered IOTL, but the board refused, causing Shamus Culhane to quit)

View attachment 898635
The X-Men, joining the Incredible Hulk on Tuesday

View attachment 898636
Giant-Man, joining Iron Man on Wednesday

View attachment 898637
The Fantastic Four, joining The Mighty Thor on Thursday (the fourth day of the week!)

View attachment 898638
Doctor Strange, joining the Sub-Mariner on Friday (and as he had no 1960s animated appearances, I had to use one from the 1980s. I apologize)

While the series still only lasted one (twice as long) season, it was successful enough to get Spider-Man and Fantastic Four into half-hour series on ABC the next year. Fantastic Four was produced by Grantray-Lawrence, rather than Hanna-Barbera, for its first season- yes, there’s more than one! Paramount continues outsourcing animation on Spider-Man, then took over production of it and Fantastic Four when Grantray-Lawrence went under. Both shows, now essentially companion shows to each other, lasted as long as Spider-Man alone lasted IOTL, through early 1970 over a total of three seasons. And with Paramount now having a relationship with Marvel, the way is paved for a potential acquisition in the future, like Warner Bros. and DC.​
This actually is a good idea! Maybe Paramount could buy Grantray-Lawrence and expand their Cartoon Studios unit?
 
Charlemagne (1968)
After a lifetime of ruling Europe's most powerful state, an elderly Charlemagne (Christopher Lee) looks back on his life and times.
 
True Detective - Manila '86
In this thrilling season of True Detective, Philippine Constabulary Colonel Ricardo Guererro (Albert Martinez) and Philippine Integrated National Police Colonel John J. De Vera (Christopher De Leon) investigate a corruption case as the 1986 EDSA Revolution looms.
 
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Castle
PBS 2006-2012

In this childrens series Nathen Fillion gives tours of famous European castles and fortifications explaining the background, architecture, and reinacting fun moments from each's history. Was suprisingly popular, partly due to Fillion's easy going manner, and ran for six seasons with expansion to American forts in season 3, and then fortified places across the globe for season 4-6.
 

The Fantastic Four (1978)​


Generally similar to IOTL, but instead of the Human Torch being replaced by HERBIE, he’s replaced by Angelica Jones, aka Firestar, Johnny’s replacement from Spider-Man and His Amazing Friends (which was originally going to feature the Human Torch alongside Spidey and Iceman). What? You’d rather me just include the Human Torch? But I can’t! He was tied up with Universal at the time! Separate from the rest of the Fantastic Four, yes. No, I’m not kidding.

In lieu of the actual Human Torch, Firestar was essentially given his personality. Hot-headed, impatient, and rather jokey. While there was a bit of focus on the former two, network censorship meant that more significant focus had to be placed on the latter, not only cracking wise against villains, but also the one to always to make a pun at the end of an episode, having a prankster side in several episodes, and even having a series of comedy shorts on NBC when the show was a part of the SatAM schedule, called “Ha-Ha-Hot Stuff with Firestar”, where she told jokes. She also became a teenager, to serve as a kid appeal character, while being female helped even the gender balance and appeal more to girls. (In terms of appealing to boys, the ever-popular Thing, despite being a grown man, became their “boy appeal” character.)

In terms of character relationships, while unlike Johnny, she was unrelated to any of the Four, she fit right in the family dynamic as the “little sister”. She looks up to Sue, respects but doesn’t quite get Reed, and her quarrels with the Thing carried over from Johnny are emblematic of a sibling rivalry. Again, due to network censorship, their spars are exclusively verbal and slightly toned down (just slightly). She also doesn’t call him the Thing, which would be nice for Ben… except that she teasingly calls him Benjy instead. The Thing is also given baggage where he can’t fight ladies, which gives him issues against characters like Medusa. Luckily, Firestar has no such qualms.

THING
“Aw, jeez… I can’t fight a lady!”

MEDUSA
“How quaint. Your chivalry is most commendable… but it shall be your downfall!”

FIRESTAR
“Well, if Benjy can’t hit a girl, then it looks like this girl will have to hit for him!”

In the show itself, Firestar’s costume is the usual uniform of the F.F., and her “costumed” hair IOTL is just her normal hair. In Spider-Man and His Amazing Friends, her costume is the same as IOTL, but without her mask (none of the Fantastic Four had secret identities), though the rest of the Fantastic Four did sometimes show up (sans Johnny, duh), and when they did, she’d don the old blue and white one more. She was aged up in Amazing Friends to college age, like Peter and Bobby, though it’s heavily implied she was still a teenager when she gained her powers. More emphasis was placed on her temperament here, to differentiate her from similarly jokey Spider-Man, though while the wall-crawler took care of the quips, Firestar still told the odd joke and even played the odd prank.

While she was still controversial for replacing the Human Torch, Firestar was nowhere near as reviled as HERBIE IOTL, thanks to contributing more to the team and being more able to fill that Human Torch-shaped hole due to her powers. Combine that with her slightly different, jokier personality, and her appearances in Spider-Man and His Amazing Friends, and Firestar quickly became a fan favorite.​
 
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